The Case for Open Educational Resources While Teaching During Pandemic

The quick pivot to online teaching due to COVID-19 pushed many college campuses into a reaction mode.  Delivering instruction in the traditional modes that we were used to was not possible. And we were not prepared. But, without knowing the huge disruption that Spring 2020 would bring, we had been preparing.   

Teaching during the pandemic has highlighted many challenges that we are still facing as we begin a new school year.  One in particular is the crucial need to provide students with learning materials in digital formats that can be readily accessed.  In the weeks (if not days) following our campus in-person shut down, faculty learned that students relied on a single physical print textbook copy on reserve at our college library. 

Thanks to a small Campus Conversations Grant sponsored by the Statewide California Electronic Library Consortium (SCELC), our library began creating an Open Educational Resources (OER) Learning Group in Fall 2019.  Our objective was to gather campus-wide input to make informed decisions on how our institution could benefit from the adoption of OER. In the library, we were starting to have conversations about open textbooks and open access resources.

The timing to apply for this Campus Conversations grant was well aligned with our campus administration announcing that it was committed to finding solutions for college affordability and in the Fall of 2019 our college president announced that there would be a tuition freeze.

Along with college affordability is the rising costs of textbooks.  Access to textbooks is a  concern our students were widely sharing across our campus.

In Fall 2019 we launched our OER Learning Group made up of librarians, faculty, and students. We discussed topics such as what is OER and how can faculty adopt OER into their courses.  We also read through case studies on OER and open textbook adoption and during Open Access Week the library hosted a webinar and film screening.  To communicate our initiative to find more accessible and affordable options of learning materials for our students, we presented our plans at a campus-wide faculty meeting.  The initiative was well received and overall faculty were in agreement to look for solutions to help our students gain access to affordable learning materials.

Open Access Week 2019
Open Access Week 2019 at Wardman Library

We then hosted two student focus groups led by student advocates of OER.
We were incredibly fortunate to gain the interest of a recent transfer student, Carlos Espinoza who had a SPARC fellowship and he took the initiative to lead our student focus groups.  The focus groups were opportunities to host Information sessions where students gave us feedback.  Carlos reached out to our campus newspaper and they ran a story about our working group on OER.

Campus Newspaper Headline on OER Learning Group

In January 2020 we debuted our new OER Libguide with the help of our librarian Azeem Khan.  As the spring semester was about to begin, we held a well-attended faculty workshop on OER and open textbooks.  We looked at sites that curate OER for various learning materials in different disciplines.  We also asked faculty who use OER to share their resources and adoption strategies.  Part of campus conversations plan was to survey our faculty on their use of OER. Half of the faculty who responded said they have never used OER but are interested in learning more.

We ended the workshop with photos of what our students had written about the costs of textbooks.

WC Student Focus Groups on OER

We then shared results of the student focus groups.  We weren’t surprised that faculty weren’t surprised that students largely reported that many didn’t buy the required textbooks for all of their classes because they couldn’t afford them.  Some students disclosed that they share one textbook with friends in their class or they rely on the single copy on Reserve in the library.  When we closed our campus due to COVID-19, this created yet a new barrier for students to access the learning materials they needed to complete their education. 

Next Steps

Currently, our plans for continuity of courses during Fall 2020 include versions of online and hybrid learning environments.  The campus conversations we were having pre-pandemic for providing our students with affordable and accessible options on textbooks and other learning materials has been exacerbated by the pandemic. The case for Open Educational Resources while teaching during pandemic is more crucial than ever.  Aside from OER materials being low cost or no cost to students, they are available in multiple formats. This increases access to learning, removes financial barriers for all students, and facilitates the free exchange of knowledge. OER gives faculty more control on what they can assign as well as help to innovate and create a more inclusive classroom where sharing is scalable. 

To learn more about OER at Whittier College visit our OER Libguide.

 

Multilingual and Intergenerational Digital Storytelling

Building a community learning laboratory, not as an official place or space, but rather as a mission for teaching and learning, has been at the forefront of our digital storytelling projects.  This year we focused on merging two groups; our undergraduate students and adult learners from the greater Whittier community to create Multilingual and Intergenerational Digital Storytelling

Multilingual
Our learning community has a great population of adult learners and college students who are multilingual learners.  In projects like digital storytelling, it gives them opportunities to share their voices in the language that feels most comfortable to them. Being multilingual also means communicating in dual or multiple languages to express culture–which does not always translate well into English or another language. “Chinga tu madre” (more on this later) cannot possibly be translated into English directly to “f*ck your mother.” It doesn’t mean exactly that.  It has many different uses and forms of expression.

Spanglish (mixing English and Spanish in the same conversation) is often heard on our campus and throughout our community.  Our minds think in both languages and sometimes you can’t find the right word in English whereas you might have the exact, most perfect word in Spanish.  It happens to me quite often.

Using multilingual prompts for story writing is a natural transition from the storywork we’ve been doing.  The digital storytelling workshops I run are usually all in English or all in Spanish. So why not merge both languages in a project that includes students who are studying in our modern languages department and who are working internships with populations that use multiple languages? What can our undergrads and adults learn from each other?

Where We’ve Been
This past summer, my colleague Stephanie Carmona who runs the Community Education Program Initiative (CEPI) and I started to craft ideas for incorporating digital storytelling assignments and projects with the populations we work with. We’ve been partnering for several years but this time we wanted to create something new, inspired by an article we read; Engaging Post-Secondary Students and Older Adults In An Intergenerational Digital Storytelling Course.  We decided on a plan to merge our college undergrads with our community adult learners in a new learning experience using digital storytelling. 

Our first task was to look through the catalog of courses being offered during Fall Term and one stood out with bright, shiny lights: a paired course in Social Work and Spanish Literature. 

CEPI’s adult learners had already been visiting a beginning Spanish course to help undergrads practice their conversations in a new language. The students in the Spanish class affectionately titled our visiting adult learners “Las Madres” (The Mothers).  The campus newspaper even ran a story about Las Madres.  

In Social Work, students create digital stories as part of their senior capstone project. Stephanie and I knew this paired course would be the perfect match. But, there was a kink in the next task- courses had just begun and the syllabus had already been distributed with dates and assignments. Would it be too disruptive to ask the team of professors to invite us in to do a digital storytelling project with their students—and— bring in Las Madres to create a multilingual and intergenerational digital storytelling experience?

Intergenerational
We immediately emailed both profs and asked to meet with them in person to explain. Then we pitched the project: intergenerational learning where the role of teacher and learner are constantly being interchanged between the adult learners and undergrads.  Bringing together diverse learners from different backgrounds allows for everyone involved in the process to bring in their own unique experiences. The adult learner can be the expert as well as the novice in various topics. In this way, different generations are able to share their knowledge.  And, we would be facilitating an assignment that also promotes multilingual learning in the Spanish part of the course. Everyone has a story to share regardless of age and this assignment would hit the learning goals set by the paired courses. The profs pretty much stopped us at this point and said, “you had us at digital storytelling!” 🙂

Where I’m From
Using the poem “Where I’m From”  by George Ella Lyon, we asked each student to create their own digital poetry based on what they’d like to tell us about themselves.  We used a template and then translated it to Spanish to create “Yo Soy” (I am).  This assignment has been used in classrooms in many different schools but I first learned about it at StoryCenter’s Summer Institute for Educators.

Multilingual & Intergenerational Digital Storytelling

The Assignment
We held a couple of in-class meetings where we invited the adult learners into the paired course to explain the project. Conversations started between our two learning groups. They chatted about the course materials, Spanish Lit, life, and experiences. We then gave both sets of learners prompts to write together and share in groups. At the third meeting we distributed the “Where I’m From” and “Yo Soy” template.  Some students asked if they had to keep the template exactly as written. Other students asked if they could write their poems in Spanglish to describe where they’re from.  We offered maximum flexibility and creativity.

After both sets of learners wrote their poems we scheduled dates to record the audio for their scripts and then to learn to edit them in the video editor WeVideo.  We suggested that they use their own photos; from their family albums or by taking pictures or video from the cameras on their phones.  Some also used stock photos offered through WeVideo or Creative Commons licensed graphics. We decided as a group to screen all the digital story/poems on the day of the final examination scheduled for mid December. 

Before the screening, Stephanie and I watched the videos and we decided to translate some of the Spanish verses to English.  Bilingual students were a great help with the translations.  We originally wanted to also translate them from Spanish to English but we were pressed for time.  Which takes me back to a phone call I got from Stephanie while we were in the middle of translating and subtitling…“how would you translate chinga tu madre?”  she asked.

I of course laughed out loud! In context, one student writes her poem/story about her culture and when she’s describing “[I’m] from chinga tu madre” she doesn’t mean it quite literally. Watch the video to see how we decided to translate it: “Yo Soy” by K. Ortega.

The screening was a hit! There was laughter, there were tears, happy tears! As is the case with these projects, the engagement and retention of information happens by the way we feel after the hard work is finished.  Learning happens on multiple levels. This is an assignment that we take our time in unpacking. 

Where We’re Going
Stephanie and I are co-writing an ebook that explains our work with undergraduate students and adult learners through a series of collaborative projects.  The part we have not yet written is where we explain the joy and fulfillment that comes with the work that we do. The anecdotes we have captured and the tears and hugs that come at the end of each project along with course evaluations and rubrics. How do we measure this work? Our students are engaged and the faculty we work with ask, “when can we do this again?!”  The science of learning tells us that activities and assignments like this can be the key to unlocking how the brain gathers and retains information (this is another blogpost in the making). What we can confirm through our own experience is that this work is valuable on many levels; in education, in community building, in understanding cultural relevancy as well as skill building of multiple literacies. It’s both tangible and intangible. 

In Spring 2020, Stephanie and I will present our work on this assignment and other projects at the 9th International Digital Storytelling Conference at Loughborough University, UK. I’ll write updates- for now, we leave you with our playlist:  Multilingual and Intergeneration Digital Stories.

 

Building a Community Learning Laboratory Through Digital Initiatives

How can digital initiatives help to build a community of life-long learners? How can we build partnerships that create opportunities that lead to new methods of teaching, learning, and digital collaborations? It begins with creativity, trust, and some play! About 3 years ago, Stephanie Carmona, who leads the Community Education Program Initiative (CEPI) out of the Education Department at Whittier College and I met to think about how we might create learn-by-doing assignments for her computer skills class. Her classes are made up of adult learners which include parents who’s children attend local K-12 schools. Mostly informal and born out of our friendship and willingness to help the many Spanish-speaking parents that we had been interacting with, we started to lead some community-based workshops on building digital literacies. These workshops were guided by topics that our participants suggested: social media and the apps their children are using, how to manage the vast amounts of photos they are collecting on their mobile devices, and Internet safety. The workshops were successful because our adult learners were invited to help in the design process and of course it helped that they bonded quickly and became friends, some even comadres. We also had an undergraduate student intern that helped with the workshops. While trying something new at the computer, our adult learners would summon our intern by calling out, “teacher, teacher!” Although we didn’t necessarily plan for it, we soon found that we were building a community learning laboratory- where we all interchanged roles as teachers learners, and creatives. One workshop on managing photo storage turned into a traveling photo exhibition we call “Nuestro Arte”, still active after two years. (insert flyers) We also created a Story Map based on this Photovoice project. Read more

Digital Storytelling in Digital Humanities?

This past summer I taught a workshop for DH@Guelph titled, “Digital Storytelling for Humanists.”  It was a course similar to one I had helped teach the year before at DH@CC, the Claremont College’s Digital Humanities Summer Institute. Both workshops were made up of faculty and grad students who wanted to incorporate digital storytelling into their research or teaching practices.  We spent nearly a week together, not only learning about tools and editing software but fully engaged in the process of creating a digital story.  Of course, the highlight of every digital storytelling workshop is showcasing each person’s story.  Some written as personal narratives and others as digital essays but we all learned more about each other, our work, our connections.  And, because this was a professional development opportunity, all had a deliverable. 

In late June I attended the Digital Humanities 2018 Conference held in Mexico City.  I was chatting with a new friend who was presenting his poster on digital storytelling from Houston Community College. It was then that the question was asked by a visitor, how does digital storytelling fit in with digital humanities?  My answer went something like this:

Digital storytelling shares the ethos of the digital humanities: the willingness to collaborate, to experiment, to share, to fail, to be transparent, to iterate, and to make public. Digital storytelling like DH is modular in its ability to remix and alter the format to fit different disciplines.  Digital storytelling is less about expertise and making expert knowledge public or leveraging open data for research and more about centering teaching and learning experiences. As a field of study, the humanities focus on the cultural record of human experience and the preservation of this knowledge- in many ways recorded through stories.  In this fashion, digital storytelling provides new opportunities for humanities scholarship and teaching. 

Poster presentation on digital storytelling by Rubèn Duràn from Houston Community College at the
2018 Digital Humanities Conference in Mexico City. 

Digital storytelling is simply using computer-based tools to tell stories. These can include pocket documentaries (using mobile devices to capture moving images), digital essays, mapped memoirs (embedded digital stories on a map), interactive storytelling (gaming) and even podcasts.  They involve sharing the idea of combining the art of telling stories with a variety of multimedia, including graphics, audio, video, and web publishing.

I teach digital storytelling because I believe it leads to transformative learning experiences.  There is also much potential in expanding digital humanities perspectives, research, and scholarship.  In his article, Digital storytelling: New opportunities for humanities scholarship and pedagogy  John Barber states: 

“If we grant that humanities scholarship and pedagogy may be grounded in stories of human cultural and creative endeavors, then the use of digital media to help create and share such stories may help engage academic research with creative practice to promote critical thinking, communication, digital literacy, and civic engagement.”

Perhaps an affordance that digital storytelling has over other digital humanities practice is that it is relatively low-tech and anyone can do it because everyone has a story to tell.  

Check out some of the digital stories created at DH@Guelph Summer Workshop:
“Digital Storytelling for Humanists.”


Resources: DigLibArts @ the Pedagogy Lab: (Re)Orientation

As mentioned in the previous blog post, this year, DigLibArts is experimenting with the format of our beloved faculty Pedagogy Labs. Instead of holding a large Pedagogy Lab, we’re collaborating with Laura McEnaney, Associate Dean for Faculty Development, and Sam Alfrey, Instruction Librarian, to focusing our lab and offer more specific content geared toward junior …

Event: Fall Pedagogy Lab: (Re)Orientation, Tuesday, August 29th

Welcome back! This fall, DigLibArts, Wardman Library, and the Associate Dean for Faculty Development invite you all to join us for our Pedagogy Lab: (Re)Orientation, which will be in the DigLibArts Collaboratory on the main floor of Wardman Library, Tuesday, August 29th, 8:30am – 1:00pm, followed by a lunch in Dezember House. This year’s DigLibArts …

DigLibArts @ the Pedagogy Lab: (Re)Orientation

As mentioned in the previous blog post, this year, DigLibArts is experimenting with the format of our beloved faculty Pedagogy Labs. Instead of holding a large Pedagogy Lab, we’re collaborating with Laura McEnaney, Associate Dean for Faculty Development, and Sam Alfrey, Instruction Librarian, to focusing our lab and offer more specific content geared toward junior …

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Public Service Announcements (PSA)

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